{"id":11913,"date":"2022-08-23T02:57:23","date_gmt":"2022-08-22T19:57:23","guid":{"rendered":"https:\/\/2022.icsae.id\/?page_id=11913"},"modified":"2022-08-26T17:44:11","modified_gmt":"2022-08-26T10:44:11","slug":"digital-poster-1","status":"publish","type":"page","link":"https:\/\/2022.icsae.id\/digital-poster-1\/","title":{"rendered":"Digital Poster 1"},"content":{"rendered":"\t\t
Paper ID: 14<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Andi Setiawan, Ahmad Ramdhon and Lira A Utami<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Paper ID: 22<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Sarwono, Darwoto and Sigit Purnomo Adi<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
Paper ID: 38<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Anti Mayastuti, Mohammad Jamin and Hari Purwadi<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Paper ID: 60<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Stiti Mohamed Zakaria, Habila Tahir and Khelili Smail<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 93<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Rahmanu Widayat and Anung Studyanto<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 94<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Desy Nurcahyanti, Sayidah Mafisah Nurromadhoni and Novita Wahyuningsih<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Paper ID: 99<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Theresia Widiastuti, Apika N. Sulistyati, Darwoto, Felix A. Dartono and Sarah R. Handayani<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 118<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Khori Y. Pratiwi and Apika N. Sulistyati<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 119<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Setyo Budi and Narsen Afatara<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Paper ID: 153<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Anung Studyanto, Andrik Purwasito, Warto Warto and Rahmanu Widayat<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 157<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Anna Sungkar and Desy Nurcahyanti<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 177<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Deny Tri Ardianto and Risky Ardhani<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t Paper ID: 181<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Ambar Mulyono, Pandu Purwandaru, Anung B Studyanto and Nurhayatu Nufut Alimin<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 184<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Arief Iman Santoso<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t Paper ID: 188<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t Bedjo Riyanto, Nurhayatu Nufut Alimin, Setyawan Setyawan and Rahmanu Widayat<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\tAn environmentally friendly one-pot synthesis method of 1,4 dihydropyridines through Hantzsch reaction\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Finishing the King's Throne Replica on the Reliefs of the Borobudur Temple Environmentally Friendly Furniture Solutions.\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Swallow Ornament as an Identity for the Sustainability of Gebangsari Kebumen Pottery Existence\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Cilacap Batik: Natural Dyes with Main Motifs of Marine Life and Dipterocarpus littoralis (Pelahlar)\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Ecoprinting with Weed Plant: Utilization of Cacabean (Ludwigia octavalvis) and Ketul (Biden pilosa) as Ecoprint Natural Dyes\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Eco-Art Trend Based On Eco-Culture In The Painting Works Of Young Indonesian Artists\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Pari Klegung \u2018The River Whisper\u2019 Eco Friendly Study\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Sustainable Artwork with Nature Theme by The Jakarta Modernist Painters: Zaini, Rusli, Nashar, and Oesman Effendi\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Eco-brick Infographic Animation as a Campaign Medium for Plastic Waste Management in Yogyakarta Special Region\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Creative Strategies for Utilizing Glass and Fabric Waste\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Generation Z's Preference For Choosing A Visual Animation Style As A Medium For Promoting Environmental Sustainability\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
Video Art as Environmental Communication Media for The Problem of Plastic Waste in Solo City\n<\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t